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Cynthia Eid’s Tips For Soldering Argentium® Silver

Just as one needs to make a mental adjustment about soldering tactics when switching between traditional sterling and gold or platinum, it is necessary to use a different approach when soldering Argentium Sterling.  The most important thing to remember with Argentium Silver is to forget about trying to heat the whole piece of metal at once, or trying to have all the solder flow at once.  Argentium Silver does not conduct heat as quickly as traditional sterling alloys and copper alloys---the heat tends to stay where the torch has been.  If you have experience with soldering gold, you will find that they conduct the heat similarly, and that similar approaches to heating the metal and solder works for both gold and Argentium Silver.

PROCESS

Application of Heat After fluxing the seam, give the whole piece an overall heating to dry the flux, then start at one area and heat along the seam. I usually use a back and forth movement with the torch over a ½” to 1” area.  When the solder flows in that area, I move the torch flame to the adjacent area and heat until that flows, then move to the next area, etc. The first area takes the most time, and then each subsequent area takes less time.  With a 1” diameter piece, I find that the solder flows as fast as I can turn the soldering turntable.  A larger piece heats more slowly.

Argentium Silver is Fragile when Red-Hot
If two pieces do not fit together well, they can be bound with binding wire, or pinned in place before soldering.  Do not try to press two parts together during soldering, as they will tend to break or crack.

Solder Melt and Flow I have heard reports from some people of having difficulty with Argentium Silver solders not melting completely.  I think this usually happens because the flame is too small and the person is heating tentatively, resulting in the lowest temperature components of the solder flowing before the entire piece of solder flows.  If this happens, do not keep heating in hopes of having the entire piece of solder flow.  Clean up the excess solder and heat with a larger flame and more boldness next time.  (Note: I have personally rarely experienced Argentium Silver solders to flow incompletely.)

Quenching (and NOT quenching) It is important to wait a few moments after finishing soldering before touching or moving the piece.  It is okay to quench at “black heat”, but quenching at red heat may result in cracking or breakage.  In practice, it can be difficult to assess when black heat has been achieved.  In my experience, it is okay if the  water hisses and sizzles when the silver is quenched, but the piece was too hot if the water seems to boil or explode. As with all metals, I air-cool flat pieces completely because quenching warps flat metal.  It is beneficial to cool flat pieces on a flat surface (I often slide my flat pieces onto a steel plate to cool).

Pickle Pickle and rinse to remove any oxides, just as you would any other metal after silver soldering.


EQUIPMENT

Solders The temperature of the Hard Argentium Solder is so high, and the color of the Argentium solders is so white, that I recommend that the Argentium Hard solder be thought of as IT solder, and rarely used.  When I would normally have used Hard solder, I use Argentium Medium solder. For Medium solder, I use Argentium Easy solder.  Argentium Super Easy solder is good for very delicate items.  Note that since AS does not transfer heat the way that traditional SS does, it is usally not as necessary to use a sequence of different solders, since the previous joint is not likely to re-flow. I tend to use AS medium for most joints.

Fluxes Flux the seam only.  Fluxing of the entire surface is not only unnecessary, it is also undesirable to flux all the surfaces, since that prevents formation of germanium oxide.  Gel flux and yellow liquid fluxes, such as Rio Grande’s My-T-Flux and Batterns, work best for me.  In England, I find that Auflux worked well.  Paste fluxes can cause firescale on both AS and SS, so they are not recommended.  Gel flux behaves similarly to paste flux, so people who are accustomed to paste flux tend to find gel flux most comfortable to use.  Though gel flux can seem rather expensive, a small bottle lasts a long time, since only seams need to be fluxed.

Soldering Boards It is recommended that a separate soldering board be used for Argentium Sterling, to avoid contamination.  I like to use soldering boards that are highly heat reflective, such as Solderite.  Firebricks and honeycomb blocks are also quite heat reflective.


Another Idea for Becoming Accustomed to Soldering Argentium Silver
It is not necessary to use AS solders with AS.  It is possible to use traditional silver solder with AS to learn how to apply  heat to this alloy that conducts heat differently. (Use Medium, and Easy solders. Hard melts at too high a temperature for beginners.) Then, when one has become more accustomed to how to apply the heat, one could start using AS solders, which don’t tarnish as much as traditional silver solders, and have a whiter color.  With this method of learning to adapt, only one thing at a time is being changed, making it easier to identify differences between the alloys and appropriate working methods.

Cynthia Eid                 This e-mail address is being protected from spambots. You need JavaScript enabled to view it              http://www.cynthiaeid.com/

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FUSING ARGENTIUM SILVER - By Cynthia Eid

Argentium Sterling is wonderfully easy to fuse.  My understanding of why AS is easier to fuse than Fine Silver is that because FS is a pure metal, it has a very short temperature range at which it melts and fuses.  Alloys have wider ranges of melting temperatures, and AS has a very wide range of temperatures at which it melts and fuses. The large temperature range makes AS fairly "forgiving" for fusing, compared to most other silver alloys.  Here is a summary of how to fuse AS. Though this should help get you started on fusing Argentium Silver, I strongly recommend Ronda Coryell's DVDs on this topic.

Summary Of How To Fuse Argentium Silver:
  • Prepare the joint so that the metal is clean, and meets well.
  • Flux the joint.
    • My favorite flux for this is Rio Grande's My-T-Flux, but Battern's works too, and when I taught in             England last summer, I thought that Auflux worked fine.
    • Though it is possible to fuse dirty metal that does not touch well, without flux, those are not ideal             conditions for consistent success.
  • Use a heat-reflective soldering surface.
    • My favorite is solderite; Ronda’s favorite is charcoal.  Honeycomb blocks and firebricks are also quite heat reflective, but the rough surfaces they have may have an effect on the surface of the AS.
    • It is best to use a block that is used only for AS, to avoid contaminating the surface, thus preserving the tarnish-resistance.
  • Do what is necessary for you to see the joint well when it flows.
    • I like to set things up so that the joint will be near my eye level.  I do this by raising the soldering surface, or lowering the chair, or both.
    • I like to wear a magnifier so that I can see the joint well.
    • I like lots of light, but Ronda likes to dim the lights.  What is right for you is what works best for you.
  • Heat the areas adjacent to the joint.
    • Be sure to use a large enough flame.  I find that it is better to use a larger flame quickly than a too-small flame for too long.
    • Watch the flux—it is a good indicator of temperature.
    • Here is something I learned from Ronda Coryell: When the flux separates into tiny droplets, then you know that the metal is almost at fusing temperature.
  • When the metal fuses, the joint looks to me like it has been soldered---I see a “fillet” of molten metal at the joint.  That is what I watch for, whether I am fusing a joint in a ring, or a granule to sheet. The surface of the silver often melts and looks liquid.  Some people say it looks like mercury.
  • Do not be afraid to bring it back to fusing temperature, in order to be sure that you have a good joint. It is also perfectly ok to re-do the whole thing after pickling and rinsing well, if the joint did not fuse well.
  • Remember that AS is fragile when red-hot.
    • Allow it to cool to at least black-hot before touching it with tweezers.
    • Both quenching and air-cooling are okay.
      • If you quench, it is okay if the metal sizzles when it hits the water.  If there is a more explosive reaction, then the metal was too hot, which may make the metal more brittle.
      • Fully air-cooled silver is not much harder than silver that has been quenched at black heat, in my opinion.  Therefore, I recommend patience before quenching.
  • Pickle, rinse well, and finish the piece.
  • (See other articles for finishing tips to maximize tarnish-resistance.)
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ULTIMATE SPICULUM HAMMER

Eid-Ultimate_Spiculum_Hammer-400high Longhi_UltimateSpicHamr-0345-400high Betty Helen Longhi and Cynthia Eid have teamed up with Bill Fretz to design and produce the Ultimate Spiculum Hammer. The Ultimate Spiculum Hammer has the elegant lines and exquisitely comfortable handle that are trademarks of Fretz hammers.  The hammers are identified with the Longhi and Eid logos on the handle, and the traditional Fretz logo on the hammer-head.  Around 1980, Betty designed and made a hammer that was based on one that she had watched Heikki Seppa use to make spiculums. Lee Marshall of Bonny Doon Engineering produced a commercial version for Allcraft for many years.  Since Lee’s retirement, Betty has been searching for a new maker, so Cynthia approached Bill Fretz about making the spiculum hammer.  The new proportions and weight of the Ultimate Spiculum Hammer afford exquisite control and exceptional accuracy for both the beginner and experienced metalsmith.  Thrilled with this hammer, Longhi, Eid, and Fretz have designed additional hammers to make a set of shell forming hammers, which is currently in development.  The Ultimate Spiculum Hammer is now available from Allcraft Tools, in New York, 1-800-645-7124.

Spiculum_from_book-7562-400square

 

 

 

 
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